For thousands of years, humans have used stones in their burial rituals and traditions, whether to cover a deceased body, to mark a burial site for later orientation, or to commemorate the dead, as in the Jewish tradition of placing stones on Jewish graves. Borrowing from the modern form of Chinese tombstones and the 19th-century Constantinople gravestones, which are crowned with flowers, as well as the linguistic root of ruin (English “ruin”, French “ruine”, German “ruine”, and Danish “ruinere”), which derives from the notion of falling, and is therefore always associated with the idea of a falling stone. The implied idea of the tombstone as a ruin refers primarily to the architectural remains of a stone structure inhabited by a person after death. By evolving these sculptural forms into contemporary contexts, the visual language is used to search for images related to "ruination" and "fragmentation," and to discover the different historical, cultural, artistic, and technological possibilities of each of these images. The work will explore the different historical, cultural, artistic and technological possibilities of these images.
数千年来，人类在其葬礼仪式和传统中使用石，无论是覆盖已故的尸体，还是标记埋葬地点以便稍后定位，还是纪念死者，比如犹太传统将石子放在犹太人的坟墓上。借用中国的现代墓碑形式和19世纪君士坦丁堡墓碑上都会有冠花，以及语言学废墟的词根（英语中的ruin，法语中的ruine，德语中的ruine，丹麦语中的ruinere）都源于一种“下落”（falling）的观念，并因此总与“落石”（falling stone）的意念关联；其所隐含的墓碑作为废墟主要指石质结构在人死后所居的建筑遗存。通过演化这些雕塑形式进入当代语境，用视觉语言寻找与“废墟化”（ruination）和“碎裂”（fragmentation）有关的图像，进而发掘这些图像各自不同的历史、文化、艺术和技术的可能。
"这是放在上面的石子""These are the stones that were placed on top.
油泥，木头，布, 毡子, 3d打印材料PLA， oil clay， wood， cloth，felt， 3d printing PLA.
"这是我在上面的帽子","This is my hat on top." 油泥，铁杆 oil clay，steel, 60cm with steel base.
"这是你不能拍照的。我就在这""You cannot take a photo here.This is where I am." 10张布面丙烯，塑料板，木棍，宣纸，地毯，3D打印材料。10 pieces acylic paintings, plastics, wood, rice paper, felt, 3d printing PLA. 400 cm x 110 cm
